Apparel Figure Series

Inspired by classic female portraiture of the British Tudor period (1485–1603), this series reimagines these historical paintings as ceramic vases.

Their elaborate garments are re-envisioned as vessels, with fabric or rubber balls incorporated to symbolize the female breast. These oil paintings reflect how noble English women of the era displayed wealth and status through their clothing and jewelry, which I believe could involve a form of "self-objectification." By converting these two-dimensional portraits into three- dimensional sculptures, I explore the concept of "objectification," merging vase forms with bust-like shapes to create a union of object and human anatomy.

These sculptures invite viewers to reconsider the boundaries between humanity and objects from both historical and contemporary perspectives.

服饰人像系列

该系列作品将英国都铎时期 (1485–1603 年 ) 的女性肖像画转化为陶瓷花瓶，将其华丽的服饰重塑为器皿，并融入织物球或橡胶球来象征女性胸部。

那些油画作品反映了当时的英国贵族女性如何通过服饰和珠宝展示财富与地位，我认为这可能涉及一种“自我物化” (self-objectification)的形式。通过将二维肖像转化为三维雕塑，我探索了“物化”(objectification)的概念，将花瓶与胸像形态融合，创造出器物与人体形态的结合。这些雕塑邀请观者重新思考历史与当代视角下的人性与物体之间的界限。